Sunday, September 30th 2007
Word on the Street
posted @ 10:50 pm in [ Books -
Lately ]
Well, it was a miserable rained-out day in Vancouver, with scraggly looking and soppy wet people huddling around piles of books, covers curling in the damp. But man, hard core book people are always great to talk to (except when they’re crazy).
Stuck around for a few hours with Dan, manning the Insomniac Press table. Am really happy to know Insomniac publishes Marian Engel, Jane Rule, Gwendolyn MacEwen. Picked up a couple of newer Insomniac titles: Whatever Happens by Tim Conley and The Grammar Architect by Chris Eaton and Julian the Magician by Gwendolyn MacEwen.
And now, for a hot bath…
Saturday, September 22nd 2007
North by Northwest
posted @ 5:21 pm in [ Delible -
Books -
Lately ]
CBC’s North by Northwest will air an interview about Delible Sunday morning between 8 & 9 a.m. (I think it’ll be archived on site later). I liked Sheryl MacKay right away. It was one of those interviews that morphs into a conversation (in a good way), the context falling away.
There have been a few new reviews this month: Now Magazine calls Delible “inventive and lushly rendered,” January Magazine likes the title, and Canadian Literature reviews Delible alongside Shani Mootoo’s He Drown She in the Sea.
Word on the Street is next weekend. I’ll going to be there all day (hanging out at the Insomniac Press book table, if you want to come by). Here’s to hoping that Louis Rastelli’s more-than-fine debut, A Fine Ending, is back from the printer in time for WOTS!
Sunday, September 9th 2007
Delible bookshort
posted @ 11:45 pm in [ Delible -
Books -
Lately ]
The Delible bookshort is up:

(Click here to play).
The video captures part of a really great interview Amy Logan Holmes conducted with me at Book Expo. I can see this being really useful as an intro at readings, and also, to offer anyone who picks up the book a sense of the thinking behind the novel, which is very cool. Judith Keenan, who creates these Bookshorts, did an amazing job.
The song they used is haunting and beautiful and, the way it’s cut in, couldn’t fit better if it was written for the short. (Thank you to Pangaea music and the lovely vocal stylings of Jessica Rhaye).