Friday, February 15th 2008


Gallows Humour
posted @ 10:17 pm in [ Matrix ]

Matrix Presents

Issue 80: The Gallows Humour Issue

Matrix magazine is now accepting submissions for its Gallows Humour dossier. We are looking for your darkest, most absurd and sardonic, witty, acerbic, ironic and sarcastic unpublished writing. Edited by Mike Spry. Poetry: (3-5 poems). Fiction: (3500 words max.).

Deadline: April 11th, 2008.

Electronic Submissions Preferred: spry@matrixmagazine.org

On Gallows Humour:

“The ego refuses to be distressed by the provocations of reality, to let itself be compelled to suffer. It insists that it cannot be affected by the traumas of the external world; it shows, in fact, that such traumas are no more than occasions for it to gain pleasure.”
– Sigmund Freud,“Humour (Der Humor)”

“When Oscar Wilde allegedly gestured at the garish wallpaper in his cheap Parisian hotel room and announced with his dying breath, “Either it goes or I go,” he was exhibiting something beyond an irrepressibly brilliant wit. Freud, you see, wasn’t whistling “Edelweiss” when he wrote that gallows humour is indicative of “a greatness of soul.” The quips of the condemned prisoner or dying patient tower dramatically above, say, sallies on TV sitcoms by reason of their gloriously inappropriate refusal, even at life’s most acute moment, to surrender to despair.”
–Tom Robbins, “In Defiance of Gravity”

If you’re viewing this page spectrally and lack an email account, but still want to submit, send your hardcopy to:

Matrix Magazine
The Gallows Humour Issue
1400 de Maisonneuve Blvd. W., LB-658
Montreal, QC
H3G 1M8




Monday, February 4th 2008


The New Underground
posted @ 9:45 pm in [ Matrix ]

The latest Matrix is at press now, with poems by Stuart Ross, fiction by Sarah Steinberg, and a special section, the New Underground, with writing by some of the best emerging writers (glad to see an excerpt of Jenny Sampirisi’s forthcoming novel, Iswas, included there). In this issue, there’s also my piece on writing spaces (looking at the studio writing practice of Betsy Warland, but dipping into the public writing practices of a few others as well). Check it out here